
... and for my friends who need pictures and diagrams to be able to understand numbers - you know who you are...
what was i looking for?


I pronounce the Silly Season... OPEN ~
"Fulton Fence is installed on the corner of Fulton Street and Broadway in Manhattan, New York and can be viewed 24 hours a day, 7 days a week. The project is on of the three interventions that make the pilot Re:Construction public art program organized by the Downtown Alliance and the LMCC. Project Description
Accents of orange and yellow plastic construction meshes, industrial caution lights, safety signage and the chain-link fencing that universally signify construction-in-progress will be collaged into a vibrant op-art mural bounding the water main retrofitting on Fulton Street. These treatments will be affixed in segments following the 10-foot long section frames of chain-link fencing that currently encircle the construction site. At the time of installation the team will establish a primary linear pattern along the line of the fence that combines 30 or more of these modules. As these modules get moved around by the contractors due to on-going construction needs, these new arrangements will create unpredictable patterns conveying the very history of the construction as it progresses.
As part of the piece, the team will continually be building a web-based project, which will become the location of an online intervention that seeks to parallel the construction of the physical site with the construction of a ‘space’ within the Internet. This digital destination takes the form of a continually scrolling web page as both an organizational tool and analog of strolling down the perimeter of the project on Fulton Street. Just as the physical installation weaves elements of vernacular construction materials into the frame of the fence, the website will embed media driven ‘interventions’: process documentation, location information, online widget mash-ups, and mobile downloads among others.
These two explorations – one architectural, the other online – seek to re-define ‘under-construction sites’ as expressive spaces in a city of ongoing transformation."
Fulton Fence . net
Would have loved to be there for the briefing meeting for the engineer who made this happen... Maybe Gehry should use the "But, your honor, its art!!" defense for the Stata Center case.Doris Salcedo’s Shibboleth is the first work to intervene directly in the fabric of the Turbine Hall. Rather than fill this iconic space with a conventional sculpture or installation, Salcedo has created a subterranean chasm that stretches the length of the Turbine Hall. The concrete walls of the crevice are ruptured by a steel mesh fence, creating a tension between these elements that resist yet depend on one another. By making the floor the principal focus of her project, Salcedo dramatically shifts our perception of the Turbine Hall’s architecture, subtly subverting its claims to monumentality and grandeur. Shibboleth asks questions about the interaction of sculpture and space, about architecture and the values it enshrines, and about the shaky ideological foundations on which Western notions of modernity are built.
In particular, Salcedo is addressing a long legacy of racism and colonialism that underlies the modern world. A ‘shibboleth’ is a custom, phrase or use of language that acts as a test of belonging to a particular social group or class. By definition, it is used to exclude those deemed unsuitable to join this group.
‘The history of racism’, Salcedo writes, ‘runs parallel to the history of modernity, and is its untold dark side’. For hundreds of years, Western ideas of progress and prosperity have been underpinned by colonial exploitation and the withdrawal of basic rights from others. Our own time, Salcedo is keen to remind us, remains defined by the existence of a huge socially excluded underclass, in Western as well as post-colonial societies.
In breaking open the floor of the museum, Salcedo is exposing a fracture in modernity itself. Her work encourages us to confront uncomfortable truths about our history and about ourselves with absolute candidness, and without self-deception.

A granite paving sample fell on my friend and co-worker Jooyeon's foot yesterday and bruised her. I don't think it she was using it for the purposes that the sample was issued, in fact I think she was using it to stabilize a book that she was photographing because she couldn't be bothered scanning, so maybe its the sample's way protesting its abuse. (I have been reading the Hitchhiker's Guide to the Galaxy). But the incident got me wondering if there was a better way to manage the millions of paving samples that we receive constantly - I request new ones for every project because its simply too hard to find the ones I want in the existing sample collection. And voila ~ the interior designers have already come up with a way of doing this... At this year’s NeoCon World’s Trade Fair, Tricycle launched a significant expansion of the program, called Tryk. Previously the company could only create samples of tufted carpet, but Tryk works with woven carpet as well as wall-coverings and fabrics. It also allows for different scales and larger sizes—and the image quality is improved. “We continue to move toward a more photorealistic image,” says Michael Hendrix, Tricycle’s creative director and chief brand officer. “If you could see an image from three years ago, the tufts looked flatter. We’ve been able to improve the perception of volume in the overall look.”

Without Standards and Codes.
"Vote for the Drivers of Change that you think will influence your area of work. Vote as many times as you like and add your own if you feel that a driver is missing." ...vote here
In the artist, Jason Freeny's words -
Not that normal street lights AREN'T useful, but this one is even more so as its a solar-powered street light and WiFi in one. This kit is intended to be mounted on "one" pylon. Typically 11 "Lights" network with one central control.
The kit contains :
Things not included:
An old housemate of mine had the theory that people who really knew what they were talking about could explain anything very simply in a very short amount of time. A postgrad I know once summed this up as "the cocktail line" i.e. what you told people that you met at cocktail parties when they asked you what your phd was about and you only had 30seconds of their interest.
"We harness interruptive technology to expose the secret possibilities of the workday. As a time-stealing agency, the Bureau of Workplace Interruptions works directly with employees to invisibly insert intimate exchange into the flow of the workday. Our promise is to create interruptions that challenge the needs of our users and the social and economic conditions of the modern workplace.You know how receiving flowers at work can put a buzz on the rest of the day? So do we. That's why we create surprise, the kind that slices through the banal and opens up new places for your mind to wander. The ruptures we create are temporary spaces for open dialogue, invisible resistance, and general amusement. In short, we hope to invigorate some of the time you spend at work in order to create new experiences and possibilities outside the flow of capital."
"A Gateway to Las Vegas"
Recently I refiled the office's "web images downloaded" folder into some sort of respectable order, like getting rid of folders called "michael" (created by michael) and attempting to set in place a system that educates the staff by osmosis - for example, project images are filed designer_project rather than 366621521_534ed7f150.jpg (i love flickr but it really becomes quite problematic when clients ask "where is that project?" and the response is "...????... your guess is as good as mine...????... europe somewhere?.. no wait, japan... but i think the designers were dutch...")
Not that long ago I told an architect that I was working with we were never going to be able to "integrate" the 2ML water tank the engineers were proposing into the landscape and that perhaps we can convince the client to let the The Graffiti Project people turn in into an artwork instead. Today... while flickering for interesting water features, I came across the Valence Water Towers in France designed by Philolaos Tloupas in 1969 and I was ashamed as a designer that I have failed to see the possibility in the form of water towers and tanks. Australian designers can be so quick to label the French conservative and yet we are so far behind them... 
"Following the lineage of the Schindler house as an experiment in modern living in close relation to nature, our proposal "Fake Plastic Trees" is an attempt to investigate the formal, spatial and atmospheric potential of a vertically sustainable garden in synch with the most advanced technology for plant growth. The garden is composed of a branching circuitry network made of plastic PVC tubes. These tubes circulate and distribute water with a nutrient solution that nurtures aerial vegetation of different kinds. The section of the tubes diminishes as the trajectories they describe move up and away from the ground. The flow of water is induced by water pumps from several reservoirs located in the ground. Water is distributed directly to the plants base by pumping up from the reservoirs or indirectly down by dripping from the upper branches and then moistening down. Depending on the section of tubes, their capacity to carry more or less water, different scale of plants can grow from and within them. The artificiality of plants growing directly on water, the modulation and scaling of them as they detach from the ground, the dynamism of the branching and choreographed vegetation and its likely wind induced oscillation, and the occasional forms of animal life negotiating temporary shelter within the garden, amounts to an advanced living ecosystem that both challenges and amplifies the assumed relations between the architecture of The Schindler House and its surrounding “natural” environment."
via World Architecture News
In the Architect's (Andrew Maynard Architecture) words...| 1. | to defer action; delay: to procrastinate until an opportunity is lost. |
| 2. | to put off till another day or time; defer; delay. |
2. I shall never move quickly, except to avoid more work or find excuses.
3. I will never rush into a job without a lifetime of consideration.
4. I shall meet all of my deadlines directly in proportion to the amount of bodily injury I could expect to receive from missing them.
5. I firmly believe that tomorrow holds the possibility for new technologies, astounding discoveries, and a reprieve from my obligations.
6. I truly believe that all deadlines are unreasonable regardless of the amount of time given.
7. I shall never forget that the probability of a miracle, though infinitesmally small, is not exactly zero.
8. If at first I don't succeed, there is always next year.
9. I shall always decide not to decide, unless of course I decide to change my mind.
10. I shall always begin, start, initiate, take the first step, and/or write the first word, when I get around to it.
11. I obey the law of inverse excuses which demands that the greater the task to be done, the more insignificant the work that must be done prior to beginning the greater task.
12. I know that the work cycle is not plan/start/finish, but is wait/plan/plan.
13. I will never put off until tomorrow, what I can forget about forever.
14. I will become a member of the ancient Order of Two-Headed Turtles (the Procrastinator's Society) if they ever get it organized.