
... and for my friends who need pictures and diagrams to be able to understand numbers - you know who you are...
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Project Description
Accents of orange and yellow plastic construction meshes, industrial caution lights, safety signage and the chain-link fencing that universally signify construction-in-progress will be collaged into a vibrant op-art mural bounding the water main retrofitting on Fulton Street. These treatments will be affixed in segments following the 10-foot long section frames of chain-link fencing that currently encircle the construction site. At the time of installation the team will establish a primary linear pattern along the line of the fence that combines 30 or more of these modules. As these modules get moved around by the contractors due to on-going construction needs, these new arrangements will create unpredictable patterns conveying the very history of the construction as it progresses.
As part of the piece, the team will continually be building a web-based project, which will become the location of an online intervention that seeks to parallel the construction of the physical site with the construction of a ‘space’ within the Internet. This digital destination takes the form of a continually scrolling web page as both an organizational tool and analog of strolling down the perimeter of the project on Fulton Street. Just as the physical installation weaves elements of vernacular construction materials into the frame of the fence, the website will embed media driven ‘interventions’: process documentation, location information, online widget mash-ups, and mobile downloads among others.
These two explorations – one architectural, the other online – seek to re-define ‘under-construction sites’ as expressive spaces in a city of ongoing transformation."
Fulton Fence . netDoris Salcedo’s Shibboleth is the first work to intervene directly in the fabric of the Turbine Hall. Rather than fill this iconic space with a conventional sculpture or installation, Salcedo has created a subterranean chasm that stretches the length of the Turbine Hall. The concrete walls of the crevice are ruptured by a steel mesh fence, creating a tension between these elements that resist yet depend on one another. By making the floor the principal focus of her project, Salcedo dramatically shifts our perception of the Turbine Hall’s architecture, subtly subverting its claims to monumentality and grandeur. Shibboleth asks questions about the interaction of sculpture and space, about architecture and the values it enshrines, and about the shaky ideological foundations on which Western notions of modernity are built.
In particular, Salcedo is addressing a long legacy of racism and colonialism that underlies the modern world. A ‘shibboleth’ is a custom, phrase or use of language that acts as a test of belonging to a particular social group or class. By definition, it is used to exclude those deemed unsuitable to join this group.
‘The history of racism’, Salcedo writes, ‘runs parallel to the history of modernity, and is its untold dark side’. For hundreds of years, Western ideas of progress and prosperity have been underpinned by colonial exploitation and the withdrawal of basic rights from others. Our own time, Salcedo is keen to remind us, remains defined by the existence of a huge socially excluded underclass, in Western as well as post-colonial societies.
In breaking open the floor of the museum, Salcedo is exposing a fracture in modernity itself. Her work encourages us to confront uncomfortable truths about our history and about ourselves with absolute candidness, and without self-deception.
At this year’s NeoCon World’s Trade Fair, Tricycle launched a significant expansion of the program, called Tryk. Previously the company could only create samples of tufted carpet, but Tryk works with woven carpet as well as wall-coverings and fabrics. It also allows for different scales and larger sizes—and the image quality is improved. “We continue to move toward a more photorealistic image,” says Michael Hendrix, Tricycle’s creative director and chief brand officer. “If you could see an image from three years ago, the tufts looked flatter. We’ve been able to improve the perception of volume in the overall look.”
This kit is intended to be mounted on "one" pylon. Typically 11 "Lights" network with one central control.
The kit contains :
Things not included:
You know how receiving flowers at work can put a buzz on the rest of the day? So do we. That's why we create surprise, the kind that slices through the banal and opens up new places for your mind to wander. The ruptures we create are temporary spaces for open dialogue, invisible resistance, and general amusement. In short, we hope to invigorate some of the time you spend at work in order to create new experiences and possibilities outside the flow of capital."
"Following the lineage of the Schindler house as an experiment in modern living in close relation to nature, our proposal "Fake Plastic Trees" is an attempt to investigate the formal, spatial and atmospheric potential of a vertically sustainable garden in synch with the most advanced technology for plant growth. The garden is composed of a branching circuitry network made of plastic PVC tubes. These tubes circulate and distribute water with a nutrient solution that nurtures aerial vegetation of different kinds. The section of the tubes diminishes as the trajectories they describe move up and away from the ground. The flow of water is induced by water pumps from several reservoirs located in the ground. Water is distributed directly to the plants base by pumping up from the reservoirs or indirectly down by dripping from the upper branches and then moistening down. Depending on the section of tubes, their capacity to carry more or less water, different scale of plants can grow from and within them. The artificiality of plants growing directly on water, the modulation and scaling of them as they detach from the ground, the dynamism of the branching and choreographed vegetation and its likely wind induced oscillation, and the occasional forms of animal life negotiating temporary shelter within the garden, amounts to an advanced living ecosystem that both challenges and amplifies the assumed relations between the architecture of The Schindler House and its surrounding “natural” environment."
via World Architecture News1. | to defer action; delay: to procrastinate until an opportunity is lost. |
2. | to put off till another day or time; defer; delay. |
2. I shall never move quickly, except to avoid more work or find excuses.
3. I will never rush into a job without a lifetime of consideration.
4. I shall meet all of my deadlines directly in proportion to the amount of bodily injury I could expect to receive from missing them.
5. I firmly believe that tomorrow holds the possibility for new technologies, astounding discoveries, and a reprieve from my obligations.
6. I truly believe that all deadlines are unreasonable regardless of the amount of time given.
7. I shall never forget that the probability of a miracle, though infinitesmally small, is not exactly zero.
8. If at first I don't succeed, there is always next year.
9. I shall always decide not to decide, unless of course I decide to change my mind.
10. I shall always begin, start, initiate, take the first step, and/or write the first word, when I get around to it.
11. I obey the law of inverse excuses which demands that the greater the task to be done, the more insignificant the work that must be done prior to beginning the greater task.
12. I know that the work cycle is not plan/start/finish, but is wait/plan/plan.
13. I will never put off until tomorrow, what I can forget about forever.
14. I will become a member of the ancient Order of Two-Headed Turtles (the Procrastinator's Society) if they ever get it organized.In contrast to traditional dating services, the primary aim of AVANT-GARDE DATING is not to match artists looking for a romantic/sexual relationship but to match artists who are interested in investigating issues associated with relationships.
In order to apply, individuals must explain how they will explore the conventions of monogamous love, challenge the idea of artistic collaboration and/or explore one of the other numerous stereotypes of human pairing.
Based on the application, the Dating Board will match artists with each other and three outstanding 'couples' will be rewarded a 1-week exhibition during the Art Forum in Berlin (Sep-Oct 2007) to further explore the concept of human partnering.
AVANT-GARDE DATING is a project by Wooloo, an artists-run organization based in Berlin, Germany."
via guerrilla innovation"Global Cities looks at the changing faces of ten dynamic international cities: Cairo, Istanbul, Johannesburg, London, Los Angeles, Mexico City, Mumbai, São Paulo, Shanghai and Tokyo.
Exploring each city through five thematic lenses – speed, size, density, diversity and form – the exhibition draws on data originally assembled for the 10th International Architecture Exhibition at the 2006 Venice Biennale. This unique show presents existing films, videos and photographs by more than 20 artists and architects to offer subjective and intimate interpretations of urban conditions in all ten cities.
As Global Cities takes place in one of the focus cities, the exhibition uses London as a touchstone for comparison. New commissions by a group of six artists and architects – Nigel Coates; Zaha Hadid & Patrik Schumacher; Fritz Haeg; OMA*AMO/Rem Koolhaas; Nils Norman; and Richard Wentworth – explore the local context through issues such as sustainability, public space and social inclusion.
Density – the number of people living in a given area, usually expressed as people per square kilometre – is at the centre of public debate on the future growth of cities. Used as a planning tool, awareness of density can help to curtail over-development and overcrowding, or ensure that scarce urban land is not under-used, especially in areas with good public transport and social amenities. High density does not mean high-rise; large numbers of people can be accommodated in five- or six-storey buildings arranged in a compact and efficient manner, creating congenial places for living.
Good design can produce desirable neighbourhoods in cities across the world by balancing dense development with access to open space and good transport. Dense urban environments can create sustainable cities; more dispersed developments use up more land and need more infrastructure – water, gas, electricity, roads – with negative impacts on the environment. High density housing can be associated with poverty and overcrowding, especially in the slums of developing countries. However, good design can produce desirable neighbourhoods in cities across the world by balancing dense development with access to open space and good transport – as evident in some of the most successful neighbourhoods in London, Paris and New York.
The four models shown in this section compare, at the same scale, the number of people living within the administrative boundaries of four of the ten cities featured in the exhibition. The peaks show the highest residential densities, with the largest number of people concentrated in a square kilometre. They range from the high-density of Cairo and Mumbai to the more dispersed, but bounded London (contained by the Green Belt) and the sprawling Mexico City."
via Creative Review
I have investigated how I can use natural metaphors to visualize my inbox, its structure and attributes. The metaphor of microbes is used. My objective is to offer the user another experience of his email world.
The project was developed during the MFA thesis “Natural Metaphor For Information Visuzalization” (thesis.zip, PDF, 7mb) at the Dynamic Media Intitute Boston in 2007.
The emails used in the prototype are read from the users local Apple Mail database. The prototype was built with Flash and Processing. The Anymails source code (OS-X 10.4.9 ppc) is available for download (2.5mb)."
via the underwire
1. | needless repetition of an idea, esp. in words other than those of the immediate context, without imparting additional force or clearness, as in “widow woman.” |
2. | an instance of such repetition. |
3. | Logic.
|
"By the way, Harry," said Professor Dumbledore halfway through book six, "a prophecy says that you alone can defeat evil Lord Voldemort. That's why he keeps trying to kill you. You must destroy all seven pieces of his soul, and you've got one book left to do it in. Don't expect any help from me; I'll be dramatically murdered in two chapters' time. Besides that, there's exams to pass and hormonal stirrings to contend with. Now do you wish you'd gone to that Muggle comprehensive?"
Psychiatric report:
Harry is a teenage boy who thinks he is a wizard. He explains that when he was a baby he sent the most evil wizard of all into hiding. He believes this wizard murdered his parents. His aunt informs me they died in a car accident.
Harry reports attending a wizard school although he thought he was a muggle (?) before then. His friends at this school who have helped prevent him from being murdered by evil wizard several times.
He believes that both his ex-murder suspect godfather and headmaster have both recently been murdered by evil wizard.
BOOK ONE:
Harry: :D
BOOK TWO:
Harry: :)
BOOK THREE:
Harry: :|
BOOK FOUR:
Harry: :/
BOOK FIVE:
Harry: :(
BOOK SIX:
Harry: :'
Harry and his posse gots ta eliminate gangsta V-Man and his evil yet sexeh followers lest they destroy the world.
V-Man has already got Harry's posse members shot down (family, godfather, Dumble-D), and it's a-time for revenge!
Harry and crew has got to cruise 'round the hood to find V-Man's treasures to destroy, and only then can they take him on and blast his ass! Pow!
Hermione and Ron want to hook-up, but feel that Harry's hollah is more important at the moment, which is way cool, but Harry ain't bovvered, because he knows that luuurve will get him through.
CV
Name: Harry Potter
Education: Six years at Hogwarts
Relationship status: Single, but kissed 2 prettiest girls at Hogwarts
Marks: Got a magical scar
Achievements: Held philosopher's stone in his hands and didn't even wish to be immortal. Found a secret chamber, killed a giant snake and destroyed one of the horcruxes (pieces of Voldemort's nasty soul). Became mates with a werewolf. Won the Triwizard championship. Was the head of a group of teenagers eager to break school rules. Faced Voldemort three times and survived.
Hobby: Excellent Quidditch player (Seeker)
Ambition: Find and destroy Voldemort and all of his horcruxes
Cinderfella discovers he's a wizard and trots off to wizard school where he aces in broomsticks and being Mr popular. The wicked wizard, who tried to kill him as a baby, returns from half dead and tries again only to be defeated by pluck, luck and the togetherness of giants and friendly centaurs.
Repeated attacks by the evil wizard and teenage hormones ensure gripping adventures but the wizard community buries its head in the sand until the battles of good and evil affect the politicians and the nanny state clamps down.
Evil legacies, puzzles and exams, love and angst await.via MoCo Loco