Showing posts with label Architecture. Show all posts
Showing posts with label Architecture. Show all posts

Thursday, 11 February 2010

Windshape






"Windshape was an ephemeral structure commissioned by the Savannah College of Art & Design (SCAD) as a venue and gathering space near their Provence campus in Lacoste, France. Built by nARCHITECTS and a team of SCAD students over a period of five weeks, Windshape became the small town’s main public meeting space, and hosted concerts, exhibitions, and ceremonies throughout the summer of 2006. Windshape was conceived as two eight-meter-high pavilions that dynamically changed with the Provençale wind. A vine-like structural network of white plastic pipes, joined together and stretched apart by aluminum collars, emerged from the limestone walls and terraces of Lacoste’s hillside. Fifty kilometers of white polypropylene string was threaded through the lattice to create swaying enclosures. The string was woven into dense regions and surfaces and pinched to define doorways, windows, and spaces for seating. By varying the degree of tension in the string, nARCHITECTS built Windshape to respond to the wind in several ways, from rhythmic oscillations to fast ripples across its surfaces. During heavy winds, Windshape moved dramatically, and made a hissing sound akin to dozens of jumpropes. The pavilions took on a multitude of temporary forms over the course of the summer, as they billowed in and out, and momentarily came to rest. In this way, the local winds and the Mistral gave shape to constantly mutating structures. The pavilions were illuminated at night against the backdrop of the Marquis de Sade’s castle, and were visible from as far away as the village of Bonnieux, 5 kilometers away. The pavilions’ design reflects a desire to remix the hard and soft landscapes of Provence in an innovative tectonic system. The village of Lacoste appears hewn out of limestone, its streets and network of terraces seemingly chiseled out as voids in the hillside. In contrast, the surrounding fields, vineyards, and lavender bushes form a luminous, soft, and changeable landscape. Windshape refers in its exterior form and angular geometry to the medieval townscape, while echoing the mutating, softer agricultural landscape in its internal experience and dynamic qualities.

Windshape was a laboratory that allowed us to test the idea of a building that can respond to natural stimuli. Rather than simply sheltering us from the elements, buildings of the future could connect inhabitants to their environment, reminding them of its strength and beauty.
Windshape was constructed by nARCHITECTS and a team of SCAD students over a period of five weeks. The architects developed a construction sequence that optimized the use of measured and non-measured fabrication methods. The basic components of string, plastic pipes and aluminum collars were all digitally modeled and translated into a set of 2D drawings and data. To achieve the project’s complex, interwoven geometries, the pavilions were built as a series of stacked and staggered “tripods”. Comprised of groups of three pipes inserted into an aluminum collar, the tripods were pre-assembled, woven with string on the ground, and hoisted in place. Interstitial string surfaces were then woven in between the tripods in the air.

nARCHITECTS exploited the different properties of two weak and supple materials to create a strong yet elastic structural network. Similar to an archer’s bow, the pipes were placed in bending and the string in tension to achieve structural integrity as well as a desired range of movement in the wind. The interdependent structural system of string, pipes and collars required a flexible fabrication method. An initial stitching of string through the pipes allowed for improvisation in weaving strategies to provide enclosure, openings or stability. In this way, Windshape’s indeterminate structure relied equally on precise translations from digital models as well as in-situ building tactics."

Monday, 18 January 2010

the most beautiful door in the world...

... and the one most likely to crush little children's fingers.

Curtain Door, Surat, India by Matharoo Associates
At 5.2m high and 1.7m wide, the door is comprised of 40 sections of 254mm-thick Burma teak. Each section is carved so that the door integrates 160 pulleys, 80 ball bearings, a wire-rope and a counter weight hidden within the single pivot. Stacked one above the other in the closed position, each plank can then rotate by a simple push causing the door to reconfigure into a sinusoidal curve.

via The Architectural Review

Thursday, 26 February 2009

The Geometry of Geology


A recent post midnight and champagne conversation on the post modern nature of Melbourne's design culture had me thinking about design motifs. Geology was my least favourite subject at school, but I found this image really interesting as a possible way into a design process. Can the geology of the site be reflected in the designed landscape in three dimensional form? i.e. not just inform how deep the footings need to be and what type of plants will survive.

via bldgblog

Tuesday, 11 November 2008

Musical Down Pipes

Aesthetically, I have always hated down pipes on facades - like pit lids, they always seem to be an afterthough which wasn't thought through... Atypical of this, the Funnel Wall in Kunsthofpassage in Dresden, Germany plays music when it rains.

via bloomacious

Saturday, 23 February 2008

ORDOS 100

Project Statement:

"The scope of the project is to Develop 100 hundred villas in Ordos, Inner Mongolia, China, for the Client, Jiang Yuan Water Engineering Ltd. FAKE Design, Ai Wei Wei studio in Beijing, has developed the masterplan for the 100 parcels of land and will curate the project, while Herzog and de Meuron have selected the 100 architects to participate. The collection of 100 Architects hail from 27 countries around the globe. The project has been divided into 2 phases. The first phase is the development of 28 parcels while the second phase will develop the remaining 72. Each architect is responsible for a 1000 square meter Villa."

Sounds like a great project.

Reminds me of another great project that was almost too incredible to be true which I came across in a WWILF moment in Paul's library - Commune by the Great Wall
"a private collection of contemporary architecture designed by 12 Asian architects. It was exhibited at the 2002 la Biennale di Venezia and awarded a special prize. Commune by the Great Wall was named “A New Architectural Wonder of China” by Business Week in 2005."

More information at ORDOS100
via inhabitat

Wednesday, 24 October 2007

10 Mile Spiral

"A Gateway to Las Vegas"

I love this project. Its a great example of what I like to think of as Design "Science Fiction" noun a form of fiction that draws imaginatively on scientific knowledge and speculation in its plot, setting, theme, etc.

Benjamin Aranda and Chris Lasch propose, among other things, a "10 mile spiral" that will "serve two civic purposes for Las Vegas": First, it acts as a massive traffic decongestion device... by adding significant mileage to the highway in the form of a spiral. The second purpose is less infrastructural and more cultural: along the spiral you can play slots, roulette, get married, see a show, have your car washed, and ride through a tunnel of love, all without ever leaving your car. It is a compact Vegas, enjoyed at 55 miles per hour and topped off by a towering observation ramp offering views of the entire valley floor below.

Although, I think this project may be more suitable for Dubai, where Traffic Engineers reign supreme and drivers would rather keep driving round and round than slow down.

via BLDG BLOG

Tuesday, 2 October 2007

Infrastructure as ART

Not that long ago I told an architect that I was working with we were never going to be able to "integrate" the 2ML water tank the engineers were proposing into the landscape and that perhaps we can convince the client to let the The Graffiti Project people turn in into an artwork instead. Today... while flickering for interesting water features, I came across the Valence Water Towers in France designed by Philolaos Tloupas in 1969 and I was ashamed as a designer that I have failed to see the possibility in the form of water towers and tanks. Australian designers can be so quick to label the French conservative and yet we are so far behind them...

Wednesday, 22 August 2007

the POOP house

In the Architect's (Andrew Maynard Architecture) words...

"No matter which way you look at it, building a house is never green. It takes vast quantities of materials with high levels of embodied energy and water and it creates a lot of waste. Even houses constructed from recycled materials often have an incredibly high embodied energy to implement. So we at Andrew Maynard Architects asked ourselves "what's the greenest building" and we concluded that the answer was "no building at all". But rather than be nihilistic about it we decided that a house should build itself through a lengthy period of assembling house hold waste. Through adopting similar structural logic employed at Stanford University the Poop house is a water structure that, over time, takes all household bio-waste, including human excrement and food, and slowly constructs the walls and roof. "...more here

Sounds fantastic in principle... but the
‘yuk factor’ is hard to overcome ... a bit like drinking recycled sewage - no scientific or health reason for it not being ok, just yuk.

Sunday, 19 August 2007

The Park at the Centre of the World

Five very delectable possibilities for Governer's Island in New York. The title of the competition amuses me, i always remember one of my friends telling me (after having lived in both countries) that Americans think they are the centre of the world and Australians think they are the only people in the world.

More here...

Wednesday, 25 July 2007

Quotable Quotes

"It can be asked if the real history of architecture is not that of schemes which were never built;... and if there are not, in fact, two architectures, one of research and projects, the other of completed buildings - the second being but a weak echo of the first."

Michel Ragon
Retrospective de la prospective architecturale

Tuesday, 17 July 2007

Wallpaper's Who's Who 2007


I went into crisis mode when I couldn't see "Australia" on the page... then my mouse clicking OCD kicked in as is always does when I find a new webpage to play with and discovered that the designers of the page had, in accordance with its antipodean location in the world, put Australia at the bottom left hand corner, assessible via a down pointing blue arrow.

Thursday, 12 July 2007

Type in the Sky

Despite going to a Luthern High School and studying German for two years, I still had to resort to bablefish to understand the bare bones of this - it appears this is part of a school project done by Lisa Rienermann. She photographed buildings from below, using the sky between towers to find letters in the alphabet.

via designbooom

Wednesday, 20 June 2007

The Cloud by Atelier Hapsitus

TA DA... the latest in dubai's proposed absurdities... The Cloud is a speculative design for a resort city elevated 300 metres in the air above Dubai and supported on slanting legs resembling rain. Designed by Nadim Karam of Lebanese architect Atelier Hapsitus, the concept was presented at the International Design Forum in Dubai last month.

In the archtiect's words
"The Cloud, the Desert and the Arabian breeze
At the forefront of the few cities today experiencing exponential growth, Dubai is the ultimate city of mutation. Within its constantly-changing scenery and infinite growth-scale, Dubai needs a dream expressing its current transient phase. If cities can dream, does Dubai have a dream?


The Cloud of Dubai is one of a series of Gulf region projects created by Nadim Karam and Atelier Hapsitus. It is inspired by the nomads, whose lives were defined by the rigours of their relation to sun, water and sand, and whose travels followed the borderless movement of clouds. The Cloud is a trip, a playful adventure in the city. It is a horizontal presence on an elevated platform, an antithesis to the sum of skyscrapers spreading over the entire region. The Cloud is a dream, suspended between artificiality and reality.

An essentially sustainable project standing at a height of approximately 300 metres, the Cloud is a 20000m2 landscape-in-the-sky comprising a lake, gardens, rotating bridges, spiraling walkways and terraces, an auditorium and sky-sports platform. The Cloud is approached on ground level from an esplanade with a pool reflecting a forest of inclined columns reaching up to the huge, translucent floating island. Access to the Cloud is gained through a few non-inclined tubular shafts, which double as structural support. In collaboration with ARUP AGU (Advanced Geometry Unit), significantly creative technological solutions are being developed for its realization."

Interesting that its an "essentially sustainable" project, nobody told me there were different categories of sustainability now! isnt that like being "a little bit pregnant"??

via design boom

Thursday, 14 June 2007

everything sounds better with a foreign accent


Very happy that Architecture, Building and Planning at Melbourne University have finally gotten into ilectures for all those times I can't make a public lecture at 6.30 during the work week.

Soon. hopefully. a geek at that establisment will have the lectures either podcast (so i can be educated while on the go) or uploaded on You-Tube (so there are visuals)

Anyway, I was listening to Willy Andrews (Dean, Faculty of Architecture and Design, Universidad de los Andes, Bogotá, Colombia) talk about contemporary design projects of his own and those of fellow architects in Bogotá, Colombia this afternoon and as part of his introduction he said this...

"That is why we must look for architecture that, like a woman with interior beauty or a fine wine, gets better every year."

Can you imagine that line with an Australian accent? ... I think not.
Dean's Lecture Series

Tuesday, 12 June 2007

Bus Station

What can only be described as a spectacular bus station in Casar de Cácere, Spain, by Justo García Rubio.

I can only imagine the worst fate that would come of a design like this if it were proposed in Australia...

from the client
"The pidgeons will roost in the void between the curves, this will become a maintenance issue. Can we have this design without the void?"

from the local government
"Our public liablilty insurance won't cover us for people climbing on top of the roof and falling off, there will have to be handrails around the edge or someway of preventing people from getting to the roof."

from the DDA consultant
"I am afraid you will need to have tactiles and handrails at the base of those overhanging curvy walls to prevent visually impared people from hitting their heads."

etc etc

via C+A

Monday, 11 June 2007

Twenty-First Century Cities

Forbes have assembled a great package of what we have to look forward to in the future.

Two Billion Slum Dwellers

Elisabeth Eaves

Cities are the future of the world, and slums are the future of the city.


Snitchtown
Cory Doctorow
In the brave new world of ubiquitous security cameras, universal surveillance is seen as the solution to all urban ills.

In Defense Of Sprawl

By Robert Bruegmann
Think the inexorable spread of cities is a bad thing? Think again.

Megacities Of The Future

Mark Lewis
The demographic future belongs to cities like Mumbai, Shanghai and Dhaka.

Ghost Cities of 2100
By Elisabeth Eaves
Even as the world's urban population explodes, these eight cities face potential extinction. (i particularly like this section, with the specific senario for each city's demise, they would all make great futurama episodes)

via Boing Boing

Sunday, 10 June 2007

Mixed Greens

An international survey of state-of-the-art sustainable skyscraper design. MIXED GREENS marks the first collaboration between The Skyscraper Museum and The New York Academy of Sciences.
See also Uber-Eco-Towers: The Top Ten Green Skyscrapers
via The Underwire

"Architorture"

"Architorture" -- this term has been the lament of countless aspiring architects for years... who knows, perhaps for generations. It is a simple slang word which embodies a range of emotions, experiences and tribulations faced in the course of an architectural education... and career.

i think there should be an additional definition

2. the art of inflicting excruciating pain on other consultants by changing finished floor levels the day before tender issue, redesigning a retaining wall more than ten times, deleting internal courtyards without notice and other such practices common in the architectural professions

A Sonic Shade of Light

Imagine an outsize parasol planted in an African village. By day, it offers shelter from the sun: by night, it sheds light for the local community using the energy collected in solar cells embedded in its canopy. It's clever, it explores a new role for textiles, and it shows concern for the planet. In short: an eco-friendly solution to a pernicious modern problem. Designed by loop.pH and commissioned by Newcastle Gateshead Initiative and Sunderland City Council and supported by ISIS Arts. Check out the video here